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DAY FOR NIGHT by Vanessa Bruno
Day for night captures a mysterious fugitive impression of vital strength which is deployed in the darkness of the night.
In the light of day, it becomes sensual and delicate.
Valentine Fillol Cordier has a sort of power over nature. She makes the trees quiver and the wind rages.
She carries in her wake flowers and petals of the tree of life.
Day breaks, Lou Doillon appears. Valentine goes through the night and encounters Lou who brings forth daylight. A hovering magical moment on the surface of water. Lou sings a haunting melody. Her voice rings out and brings peace to the storm in the night.
With Lou and Valentine all the feminin ambiguities start moving. Catlike and delicate, embodied but secretive…
After this soft and sensual parenthesis, the race between the two women, between night and day, between Lou and Valentine, becomes a liberation. Lou sets off for the sun.
With Day for Night, womanhood goes with masculin coats wrapped around soft sensual dresses. Colors are like dawn and dusk…
Here Vanessa imposes the group “Efterklang” a bewitching folk music. Then the sensuality and emotion of Lou’s song which she has composed. The movie sets off with “ The books”.
Day for Night is an emotion. A movie like a poem. A collection that is strong and slightly erotic.
In the light of day, it becomes sensual and delicate.
Valentine Fillol Cordier has a sort of power over nature. She makes the trees quiver and the wind rages.
She carries in her wake flowers and petals of the tree of life.
Day breaks, Lou Doillon appears. Valentine goes through the night and encounters Lou who brings forth daylight. A hovering magical moment on the surface of water. Lou sings a haunting melody. Her voice rings out and brings peace to the storm in the night.
With Lou and Valentine all the feminin ambiguities start moving. Catlike and delicate, embodied but secretive…
After this soft and sensual parenthesis, the race between the two women, between night and day, between Lou and Valentine, becomes a liberation. Lou sets off for the sun.
With Day for Night, womanhood goes with masculin coats wrapped around soft sensual dresses. Colors are like dawn and dusk…
Here Vanessa imposes the group “Efterklang” a bewitching folk music. Then the sensuality and emotion of Lou’s song which she has composed. The movie sets off with “ The books”.
Day for Night is an emotion. A movie like a poem. A collection that is strong and slightly erotic.
LØV by Vanessa Bruno
i love fashion video, but this one make my eyes feels comfort.. i just like the style, simple but mostly was the architecture that was in to lead the eyes of spectator to see the fashion more deep.. glad to see this video from (Kleting) and (Yaya)
LOV, the new autumn-winter 2011-2012 film directed by Stephanie Di Gusto.
After Lou Doillon, there is the appearance of a another heroine: Kate Bosworth. Her mysteriousness, her strength. Also another side to femininity, a stirring truthfulness which is renewed with every look, every movement accompanied by a wisp of assertiveness and purity. A new gracefulness progressing to a confident allure, conquering, a battling frailty.
It starts with an urban universe almost futuristic where this femininity comes up against angles, up against emptiness where lines are sought for and where poetry is found. A surrealistic dance, frantic and lively giving a light note to this ballad, this adventure which is perhaps the landscape of a soul.
Then the thread of the tale gets tenser. We come across a more solemn Kate, looking inwards, a mysterious warrior. Kate runs away, frightened by her dark double, perhaps her mirror reflection, perhaps her sister in dreams. White horses bolt with the music, liberating her wildness and the impatient purity of her energy, of her victory.
Euphoria of flight, of a grace released from the surface, from reality. Light headed. Kate is at the top of a tree of life giving herself up to an appeasing sun, to a sensual rapture winging towards the heart of the matter, streaming along, a reflection on the water.
In fact, a love story.
LOV, the new autumn-winter 2011-2012 film directed by Stephanie Di Gusto.
After Lou Doillon, there is the appearance of a another heroine: Kate Bosworth. Her mysteriousness, her strength. Also another side to femininity, a stirring truthfulness which is renewed with every look, every movement accompanied by a wisp of assertiveness and purity. A new gracefulness progressing to a confident allure, conquering, a battling frailty.
It starts with an urban universe almost futuristic where this femininity comes up against angles, up against emptiness where lines are sought for and where poetry is found. A surrealistic dance, frantic and lively giving a light note to this ballad, this adventure which is perhaps the landscape of a soul.
Then the thread of the tale gets tenser. We come across a more solemn Kate, looking inwards, a mysterious warrior. Kate runs away, frightened by her dark double, perhaps her mirror reflection, perhaps her sister in dreams. White horses bolt with the music, liberating her wildness and the impatient purity of her energy, of her victory.
Euphoria of flight, of a grace released from the surface, from reality. Light headed. Kate is at the top of a tree of life giving herself up to an appeasing sun, to a sensual rapture winging towards the heart of the matter, streaming along, a reflection on the water.
In fact, a love story.
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