Jean-François (2009) by tom haugomat & bruno mangyoku

A short film directed by Bruno MANGYOKU and Tom HAUGOMAT

PressPausePlay - Animated Content by Stuart Langfield plus

"A film about hope, fear and digital culture"
I created the animated content for the PressPausePlay documentary. The animations help to break up the interviews and illustrate key scenes discussed throughout the film. Above is the Seth Godin excerpt, lots more to come once the film is on general release.

It's screening at various festivals globally, find out where here:
presspauseplay.com/​entries/​113-more-screenings/​

Texture: Donna Brass by Matt Brass

I have always been close with my family but I was surprised by how much I learned during this brief interview. Not just about my mother but about myself and the compulsive/creative behaviors I possess. When my wife saw this she said "that's you."

Body Image PSA by Vianca Lugo

to all of us ..cherrs

Elvis Presley- King Creole by Jörn Peper

A Shadowpuppet- Animation to Elvis Presley´s "King Creole". -Some night I came up with this silly shadow-puppet resemblance to entertain my friends. Seemed silly enough to make a video of it. I shot my hand in front of a green solid in my monitor. Then attached those to Vector- Drawings of the bodies.



hahaha.. i loveee Elvis P ..

Various passing of time by Sasha Aleksandrov

For some people the time passes quickly, for others the time passes slowly.



mmm fast and slow two word that i like... nice to see quickly image and the versus one by using a old jobless man. too naked to see the imaginary scene.

78RPM - MP3 | 70 Years of Revolutionary Protest Music by Dan Flynn

College typographic project celebrating popular song lyrics over the past century. Being a type project the use of imagery was discouraged. I chose to detail some of the most powerful protest songs from the 1930's - 2000's, Bille Holiday's Strange Fruit (1939), Buffalo Springfield's For What Its Worth (1968) and Radiohead's Ideoteque (2000).

Magnitka ver. 4.02 - operator reel by Sasha Aleksandrov

Shot in Magnitogorsk. The footage was edited in precise correspondence with the sequence of technical operations in sheet metal manufacturing at the Magnitogorsk Metallurgical Factory. The result is a serious film with deeply transcendent subject matter.


mmm nice work

The Big Lebowski Typography by Koos Dekker

Scene from the The Big Lebowski in Typography. Thanks to Jesus Quintana, The Dude and Walter Sobchak.
Animation & design: Koos Dekker

i love this work.. its feels really documentaries ... its brings to the 2 man who was talking in the video, the naration was built to create a point of view for the Typography.

In This City by Salomon

Spiegelbilder - Videoinstallation by urbanscreen

Contemplation and self-assessment in times of hypertrends and overinformation. To get a picture and to stay in the picture as two antagonism of the modern age.

Spiegelbilder was shown in the Krypta of the St. Petri Dom Bremen during the Ev. Kirchentag in May 2009.
Length: 25min

copy from marisantosa

hahha
http://marisantosa.wordpress.com/2011/07/11/copy-transform-combine/
i just try this funny http://tripwow.tripadvisor.com/tripwow/builder/?cs=ihnbm&ssid=ta-demo&theme=
taken from my friend marisa blog ..is so funny
how you can make video by only click ... footage is taken from your image in your Facebook, picasa, or any social network site.
slideshow was part of video. an how easy the editing was taken.. so funny

are this a new media ? ....

Journey Slideshow: Adel’s trip to Surabaya, Java, Indonesia was created by TripAdvisor. See another Surabaya slideshow. Create a free slideshow with music from your travel photos.

Zach Lieberman: Interactive Art by PopTech

Artist Zach Lieberman uses interactive media to inspire - and explore the relationship between technology, performance, and the body. His recent projects include an open-source eye-tracking system that allows disabled artists to draw using their eyes and a performance that includes drawn sketches that react to a visitors' touch.

Mirrored by The sons of Stan Brakhage

A short film about the artistic creation.

Amateur - video by : Lasse Gjertsen

now we can see the different .. from the first video before this one.. and this one
when music was found in cinema ..Sergei Eisenstein was said that music change the real cinema ...
question is ..do music change video ?
video create new music style, every one can be an artist in 20 minute (warhol).

hope u enjoy the video.. thanks chers




i've taken my hyperactive editing style a step further! Hope you'll enjoy it!
And now; to you people saying I'm ripping off Michel Gondry: I've seen his video with the drumkit called "Drumb and Drumber". It's here on youtube somewhere. His video and my video are different because of one very important detail: Gondy filmed himself doing drumming sequences and LOOPED them, while I hit each drum and piano chord seperately and edited them together. This is a very big difference if you have any idea about video editing. Actually, there is a short sequence of 5 sec where he does cut the beat, but I didn't notice this until recently, which makes me an idiot. But I still don't think it's a rip off, only similar. SO one question to you guys: If I write a song which includes the words "love" and "tight", am I ripping off The Beatles?? :P I met Michel Gondry in Milan, Italy and asked him. He didn't really give me a clear answer, but it seemed like he thought so. Either that or he didn't like my clothes. Lol.

Diego Stocco - Experibass by Diego Stocco

Few weeks ago I visited a luthier looking for instruments parts, I had an idea in mind for an instrument I wanted to build. My curiosity was to hear the sound of violin, viola and cello strings amplified through the body of a double bass. I came up with a quadruple-neck experimental "something" that I thought to call Experibass.

To play it I used cello and double bass bows, a little device I built with fishing line and hose clamps, a paintbrush, a fork, spoons, a kick drum pedal and a drum stick. I hope you'll like it!
Thanks to luthier John Wu for providing me the parts, even though I warned him that I was probably going to create a "monster" : )



i guess the editing of this video help a lot ... so ..
question is the sound was created by the instrument or the video ?.... viva le video
video remix the sound to become ....life, lite or lost ..

enjoy the music after all ... ( i copy, i embed, i combine, i see )

L'homme 100 têtes by JUL & MAT All rights reserved by JUL & MAT

All rights reserved L'homme 100 têtes
Demandes de diffusion, ou utilisation du concept : juletmat.fr
Music: believedigital.fr/​p/​3661585033189/​1179/​fr/​
Playing off the theme of a recent video contest, « Transformation : Live and React », JUL & MAT (France) explored the human face, the most exposed and personal part of the human body. Their dynamic portrayal of 1000 and one faces is a mosaic of portraits and emotions that plays off of the power of faces seen close up. Julien Fargo composed the melody that encapsulates the film.

Samurai by Phil Shoebottom

question is > are 3d was a future for cinema ?

Half by Alex Bohs

Starring:
Chloe Howcroft
Emily Deering
Melody Snyder

Written, Directed & Edited by:
Alex Bohs
Cinematography by:
Mark Johnson



yup.. this post is to represent the other post about split screen ... so wonderful to see to image with same felling but sometimes become a opposite or become love .
its just fun to see imagenery that can bring us to another meaning.
thanks for all you that push record button.. viva le video socialita.
and many thanks to all the video that i have been embed to this blog.

hope u enjoys guys,
best regard

adel

El barón Royo_documental. by Alfonso Marti­nez

Josep María Royo es un reconocido aviador de ochenta y cuatro años que ha recorrido el mundo y que tiene a cuestas muchas historias y aventuras. Hombre de carácter alegre e intrépido que a pesar de su edad sigue apasionado por la aviación y por la Bücker Jugmann, su máquina favorita.

enjoy the video from our friend ..
the english synopsis : yeay thanks alfonso ..

Josep Maria Royo is a renowned 84 year old aviator who has travelled all around the world and whose memories are full of
histories and adventures. Man of cheerful and fearless character that despite his age still feels passionate about aviation
and his Bücker Jugmann.
We follow him on his flight routine listening his young age stories and observing his love for his machine.

note .. new media. and a video : (Splitscreen: A Love Story by JW Griffiths )

Having proposed a list of the key diffirences between new and old media, I now would like to address other potential candidates, which I have ommitted.The following are some of the popularly held notions about the difference between new and old media which this section will subject to scrutiny:

1. New media is analog media converted to a digital representation. In contrast to analog media which is continuos, digitally encoded media is discrete.

2. All digital media (text, still images, visual or audio time data, shapes, 3D spaces) share the same the same digital code. This allows diffirent media types to be displayed using one machine, i.e., a computer, which acts as a multimedia display device.

3. New media allows for random access. In contrast to film or videotape which store data sequentially, computer storage devices make possible to access any data element equally fast.

4. Digitization involves inevitable loss of information. In contrast to an analog representation, a digitally encoded representation contains a fixed amount of information.

5. In contrast to analog media where each successive copy loses quality, digitally encoded media can be copied endlessly without degradation.

6. New media is interactive. In contrast to traditional media where the order of presentation was fixed, the user can now interact with a media object. In the process of interaction the user can choose which elements to display or which paths to follow, thus generating a unique work. Thus the user becomes the co-author of the work.

Cinema as New Media
If we place new media new media within a longer historical perspective, we will see that many of these principles are not unique to new media and can be already found in older media technologies. I will illustrate this by using the example of the technology of cinema.

(1). “New media is analog media converted to a digital representation. In contrast to analog media which is continuos, digitally encoded media is discrete.”
Indeed, any digital representation consists from a limited number of samples. For example, a digital still image is a matrix of pixels — a 2D sampling of space. However, as I already noted, cinema was already based on sampling — the sampling of time. Cinema sampled time twenty four times a second.

So we can say that cinema already prepared us for new media. All that remained was to take this already discrete representation and to quantify it. But this is simply a mechanical step; what cinema accomplished was a much more difficult conceptual break from the continuous to the discrete.

Cinema is not the only media technology which, emerging towards the end of the nineteenth century, employed a discrete representation. If cinema sampled time, fax transmission of images, starting in 1907, sampled a 2D space; even earlier, first television experiments (Carey, 1875; Nipkow, 1884) already involved
sampling of both time and space.36 However, reaching mass popularity much earlier than these other technologies, cinema is the first to make the principle of a discrete representation of the visual a public knowledge.

(2). “All digital media (text, still images, visual or audio time data, shapes, 3D spaces) share the same the same digital code. This allows diffirent media types to be displayed using one machine, i.e., a computer, which acts as a multimedia display device.”
Before computer multimedia became commonplace around 1990, filmmakers were already combining moving images, sound and text (be it intertitles of the silent era or the title sequences of the later period) for a whole century. Cinema thus was the original modern "multimedia." We can also much earlier examples of multiple-media displays, such as Medieval illuminated manuscripts which combined text, graphics and representational images.

(3). “New media allows for random access. In contrast to film or videotape which store data sequentially, computer storage devices make possible to access any data element equally fast.”
For example, once a film is digitized and loaded in the computer memory, any frame can be accessed with equal ease. Therefore, if cinema sampled time but still preserved its linear ordering (subsequent moments of time become subsequent frames), new media abandons this "human-centered" representation altogether — in order to put represented time fully under human control. Time is mapped onto two-dimensional space, where it can be managed, analyzed and manipulated more easily.

Such mapping was already widely used in the nineteenth century cinema machines. The Phenakisticope, the Zootrope, the Zoopraxiscope, the Tachyscope, and Marey's photographic gun were all based on the same principle -- placing a number of slightly different images around the perimeter of a circle. Even more striking is the case of Thomas Edison's first cinema apparatus. In 1887 Edison and his assistant, William Dickson, began experiments to adopt the already proven technology of a phonograph record for recording and displaying of motion pictures. Using a special picture-recording camera, tiny pinpoint-size photographs were placed in spirals on a cylindrical cell similar in size to the phonograph cylinder.

A cylinder was to hold 42,000 images, each so small (1/32 inch wide)
that a viewer would have to look at them through a microscope.37 The storage capacity of this medium was twenty-eight minutes -- twenty-eight minutes of
continuous time taken apart, flattened on a surface and mapped into a two- dimensional grid. (In short, time was prepared to be manipulated and re-ordered, something which was soon to be accomplished by film editors.)

KillYourIdol.mov by fluxcup (bandung)

hahahah... yups lets kill our idol ...
i like this video.. when audio represent new meaning from the originality (dub)

Blik by Polder Animation

A young boy moves to a new neighbourhood and falls in love for the first time, with the much older girl next door.

Visit us at polderanimation.com


mmm i love the colour ,....

MEGALOMANIA by Jonathan Gales

Megalomania perceives the city in total construction. The built environment is explored as a labyrinth of architecture that is either unfinished, incomplete or broken. Megalomania is a response to the state of infrastructure and capital, evolving the appearance of progress into the sublime.



video kota : yup a good video city..
but i was distrack by the quet sound at the video..
jakarta, berlin, paris new york, LA, Rio, San Paolo, Bangkok, Hanoi.... u can fell the sound ...

Protest Zapping by Max Moertl

See how a weird location changing remote control takes a lazy surfer and a confused seagull on the journey of their lifes, as part of the 2011 Protest Obstacle Series, where surfers are being hindered to enjoy their most urgent need: riding the waves!

Beet Cake by Tiger in a Jar

mmmm smells good .....
i like the colour... its feels like home..
best regard from jakarta and bali ...